An independent show guide not a venue or show. All tickets 100% guaranteed, some are resale, prices may be above face value.We're an independent show guide not a venue or show. We sell primary, discount and resale tickets, all 100% guaranteed prices may be above face value.We are an independent show guide not a venue or show. We sell primary, discount and resale tickets, all 100% guaranteed and they may be priced above or below face value.
Get your tickets NOW - 'cuz once the word gets out, you won't find any available anywhere; yes, it's THAT good!! Powerful message with equally powerful music performed by a cast of near-perfect voices in combination with a wonderful set that puts the muscians on top of the action. They all amaze - and soothe every want with respect to matching your memories of the magnificent score with your need to experience those words performed by a cast with great unison in dance and movement while singing this dramatic story. I GUARANTEE that you will experience huge applause - and the absolute and overwhelming stillness associated with near-perfect performances. Go to a play this year - and make sure it is this one...and you will be forever a fan of both the art form and this particular presentation.
Bob Gookin from Los Angeles, California
THE SUPERSTAR WE NEED RIGHT NOW
I was in fifth grade when I got the album from the Columbia Record Club. My mom let me stay home from school the next day and I played it non-stop, and kept playing it, over and over, eventually wearing it out.
I'm not particularly religious, but I was drawn to the politics of Jesus's struggle against the powers that be on behalf of the poor and downtrodden.
The new iteration captures this beautifully, updating the story with a high energy modern vibe that kept everything I loved about the album, but made it infinitely more accessible to my teenage daughters.
The vocals were very solid - led, of course, by Judas. But Jesus had some wonderful moments, Mary Magdalene was perfect and Caiaphas was stunning.
The band was wonderful, the opening guitar riff brought down the house, and the dancers were mesmerizing. Honestly can't think of a time that a dancer brought me to tears, but the lead dancer in this production did just that.
Great play, great performance, great night.
Kevin Woodman from Vancouver, British Columbia Canada
FLASHBACK IN REAL TIME
Captivating from the opening note to the final bow. One of my favourite alt albums from the seventies and this cast didn't disappoint. Considering the success of the original production, this was not an easy feat. A well deserved standing ovation.
Ted W. from Denver, Colorado
IMPRESSIVE MIX OF CLASSIC AND MODERN - HIGHLY RECOMMENDED!
In Denver on business and decided to catch this new production after seeing an intriguing video ad in front of the performing arts center. I couldn't be happier. I had the original record as a kid and wore it out along with other rock operas like 'Tommy', 'Quadrophenia', 'Lamb Lies down on Broadway', etc. This show took me back to my bean bag chair with my headphones on in the '70s- guitars, drums, keyboards, saxophones, and the singers... just great. Pretty fast-paced compared to other shows I've seen recently, but that adds to the energy. These dancers would go from 'hippie' dancing to ballet-esque to whirling dervish within a few songs. The set, lighting, and costumes are all very modern to my eye. I have to think about the symbolism of the glitter and the mic stands and cords, but I'm very glad I decided to go. Highly recommended, especially if you grew up listening to the album!
Jon Workers from Denver, Colorado
A fabulous show from start to finish. The excellent live music set the mood and was true to the original score and album. The musicians were as much a star as the actors. I thought Judas was even better than Jesus (only on stage not in legend) and Caiaphas with his deep, deep voice reverberated right under your skin. The Ensemble danced and sang with energy, yet it sounded like a choir of 50 singers in unison. The solos by Jesus and Mary were superb, but the scene not to miss is the 39 lashes ministered to Jesus by the crowd and intensified by the painful crack-snap of the sound effects.
Some nay-sayers have commented on the use of microphones on stage and the guitar wielding Jesus . I found that this interpretation in no way demeaned the story or acting. Give into suspending your disbelief and you will leave having seen a wonderful show. Take your Mother, or your teenage kids. Your'll have something all will talk about on the ride home. Enjoy!
Walker from Denver, Colorado
TIMELESS AND POWERFUL
Did not disappoint! Amazing music and talented performers. Wish I could see it again. The Denver show was excellent. The show went too fast. Loved every minute, every song and the modern take on this classic show.
Elaine from Denver, Colorado
It was a great way to celebrate the 50th Anniversary, with today's aesthetic mixed with the iconic musical score. Like the original play, this is a modern rendering of the Christ story. The costumes, lighting, and dancing (like the original play) are intentionally drawn from the present. In this case, "urban hipster vibe" was used for the modern aesthetic instead of "1970s hippie vibe" from the original. Evidently some of the other commentors herein, who've shared less than favorable reviews, appear to have been put-off by the contemporary aesthetic (okay I'll admit the man bun wasn't my favorite). But that to me, is and was the point. We aren't viewing this as ancient times, or even more recent history, but through the lens of today. The music, the outstanding performances and signing, and the choreography were all exceptional and true to the original.
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