There is someone at the door
Often referred to as the definitive staging of JB Priestley's drawing room drama, this production from London's National Theatre makes its US Touring premiere bringing masterpiece to you. Debuting in 1992, this iteration has been seen all over the world, scooping awards with each revival. Original director Stephen Daldry (The Hours, High Fidelity, Billy Elliot) returns for this North American jaunt, showcasing his thrilling talent and understanding of the literary classic that is An Inspector Calls.
The story of an inspector calls
One night in April 1912, the comfortably upper middle class Birling family gather to celebrate the engagement of the daughter, Shelia. Attended by her fiance Gerald, her younger brother Eric and her parents, Sybil and the boorish, dominating Arthur, the party is soon interrupted by the appearance of the mysterious Inspector Goole, who has come to enquire upon the recent suicide of Miss Eva Smith, a young working-class woman known to the family.
In his possession, Google has a photograph of the young woman and her diary, implying that she has named her tormentors within. Over the course of the evening, each member of the Birling family comes to realise they have all played a part in her downfall, in turn exploiting her, abandoning her, leading her to social and financial ruin, before she finally took her own life. Faced with the maddening guilt and unable to accept the responsibility, we see one devastating night in the life of this entitled family, as they all seek to escape blame, believing their wealth and status will protect them from the consequences.
Timely as ever, Priestly's blazing critique of social responsibility rings just as true as it did back in 1945, strengthened by our continued fascination with capitalism and our refusal to accept the realities of europe's refugee crisis.