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Company Reviews

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Average customer review: 1.5 star rating (1.5 Stars)

Number of reviews: 24

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1.0 star rating Jim Donovan from St. Louis, Missouri

LEFT AT INTERMISSION ALONG WITH THE THRONGS OF LIKE-MINDED ATTENDEES.

This was absolutely the worst musical I have ever attended. The music was terrible (typical of Steven Sondheim's low end musicals). Tough to hear the actor's dialog and the presented vignettes seemed disconnected and boring. Walked out during intermission and there were many like-minded participants who also exited at the same time. Good thing my tickets were at the special $29 rate. Even at that there were tons of available seats, That pretty much tells it all. True waste of time!

1.0 star rating Joyce k from St. Louis, Missouri

COMPANY

Bad show.... don't waste your time. Really slow and disappointing.

1.0 star rating Leslie from St. Louis, Missouri

BAD COMPANY

Maybe it’s just outdated or maybe switching the lead character to female (as the play was originally written as a male lead) doesn’t fit the story line appropriately, but either way it was truly bad. As others have mentioned, the sound levels were low as well making it difficult to decipher some of the lyrics or spoken words. There was only one good song. The rest amounted to the worst play I’ve ever seen.

1.0 star rating from Washington, District of Columbia

SAVE YOUR MONEY AND YOUR TIME!

Most of the cast had the whiny, nasal voice. The actors were impossible to understand. The set, though interesting, was blaring in bright colors. Left at intermission, but wish it had been earlier. The show, which I’ve seen before, is fast, but this was so fast, the actors could not be understood. One exception was the guy who HAD to sing fast for Not Getting Married Today. He enunciated and every thing was understood!

1.0 star rating Laura from Washington, District of Columbia

THE WROST PLAY I HAVE EVER SEEN.

Purchased very expensive box seats for myself and my husband as a birthday gift for him. The sound was awful. This play has no actual story and no character development. All of the songs sound alike. Al of the dances are alike. If I knew the second part was going to be even worse than the first, I would have left at intermission. Do not buy tickets for this show. No disrespect to the actors. It was obvious that they worked very hard. Also the set was super cool and I liked the costumes. Really everyone did their job well except the writer.

1.0 star rating David from Washington, District of Columbia

TERRIBLE

This is first time I've ever walked out of a musical at intermission. Part of me wanted to see the second half to see if it got better, but I couldn't risk it being as bad as the first half. Echoing what a lot of people have said, the cast and stage setup were cool. The songs and the story were just awful. The one song that repeats "100 people get off the bus" over and over made me feel like I had a day pass to hell. It took all I had to not shout out "wrap this up!" I have no idea how a producer could listen to these songs and think "people will enjoy this." Someone's being blackmailed to continue performing this terrible show.

1.0 star rating James Shaw from Washington, District of Columbia

BORING

This is a pointless musical. So much angst about a 35 year-old female considering marriage. Who cares? The first act had some humorous portions. The second act was painfully slow. Besides, what is funny about a drunk female whose singing/acting occupied a large percentage of the second act? Horrible! The songs are difficult to understand and certainly don't have a sing-along quality. Do not waste your money!

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What we thought

PROFOUND Refreshing brilliant

It's profoundly refreshing to see Company not just as the famous score and witty one liners, but for it to place itself slap bang in the middle of 2018's debate, whilst still excelling at all the elements one needs for a truly brilliant musical.

In a production that could be dubbed an 'Instagrammer's dream' Company explodes back onto the stage! This time though it's a magical gender-swapped revamp of the classic Sondheim musical.

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Abigail Slocombe

Abigail Slocombe

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